My presentation provided for the Slovak music industry stakeholders in this dialogue are not made available in a more general form, because the problems in Croatia, Hungary, Poland, Slovakia, and to a great extent in the broader region including Austria, Slovenia and Czechia are very similar.
I was asked to contribute an article to the COVID-19 economic crisis series of the Hungarian business weekly and portal hgv.hu. While the article is only available in Hungarian, and behind a paywall, it draws on experiences that are very similar across the CEE region, and in some cases, in most the European Union.
The Central & Eastern European Music Industry Report 2020 was presented as a case-study on national and comparative evidence-based policymaking in the cultural and creative sector.
The results of the first Hungarian, Slovak, Croatian and Czech music industry reports are compared with Armenian, Austrian, Bulgarian, Lithuanian, Serbian and Slovenian data and findings.
We had a very interesting discussion day on the Budapest Showcase Hub with the regional independent labels in the workshop hosted by HAIL and with some concert promoters and music educators in the main conference program.
Being visible in the world is always difficult in the Central and Eastern European region. Made in Hungary is the first book in the Popular Music Studies series of Routledge from the region. A description of our first datasets, the motivation of …
The first comprehensive music industry report in Hungary and in the CEE region using the three income stream model to assess the income, value, value added in live music, publishing and recording. A 143-pages report that was followed by the …
The report was compiled with joining data and knowledge from collective management agencies for composer, producer and performer royalties, and market leading companies Sziget (organizer of Sziget festival and many more festivals), WMMD music distribution company, market-leading Schubert Music Publishing and A38, Hungary’s leading music club, together with producer and audience survey data, tax authority data and other government sources.
An economic analysis of the evolution of private copying, its benefits for the Hungarian households and the equitable remuneration for music and film copyright and neighboring right owners. Review of the technological and regulatory evolution of the …