At last, Reprex has its own company website, leaving the two flagship project sites, the Demo Music Observatory and the Listen Local separate. We are back to blogging after a particularly difficult lockdown period.
We needed a database of Slovak music to show how that national repertoire is seen by media and streaming platforms, how can we give it greater visibility in radio and streaming platforms, and what are the specific problems why certain artists and music is almost invisible.
Regulating black box, private algorithms and data monopolies is only a first step to damage control. Deploying white, transparent algorithms and building collaborative or open data pools can only guarantee fairness in the digital platforms, in recommendations, and generally in the use of AI.
The problem of the music industry is not too little, but too much data. Music is drowning in numbers, and it has too little resources to turn much data into valuable information. We have shown that we open collaboration is the key to success.