We will present to the audience the Central European Music Industry Report 2020 on the CCS Ecosystems: FLIPPING THE ODDS” Conference – a two-day high-level stakeholder event jointly organized with the European Commission, DG Education and Culture.
We had a very interesting discussion day on the Budapest Showcase Hub with the regional independent labels in the workshop hosted by HAIL and with some concert promoters and music educators in the main conference program.
A Progress Report on the Czech Music Development Program and problems in an international context. We would like to invite any Czech stakeholders, or even individuals to join our Research Consortium, because in the music sector, all organization are microenterprise or small enterprise sized, they usually have no significant market research, innovation and strategic HR management capacities. We hope to give them in each country useful tools.
My study, Private Copying in Croatia, argues for an overhaul of the Croatian private copying remuneration scheme and gives some empirical evidence for the transposition of the DSM Directive. Even for those who are not interested in royalties, the first 3 chapters offer a very interesting introduction on how people listen to music, how musicians make music and how people copy it in the 21st century.
We had the first public and panel discussion of the forthcoming Central European Music Industry Report. After mapping and analysing in depth the music industries of several CEE countries, I put together with the help of Consolidated Independent and state51 a regional report in previously unseen detail.
Total national sales reflect the growing number of subscribers, the price, the exchange rate, and many factors that are not important for an artists or music label. Instead we design indexes that show the real growth for a typical domestic or foreign rightsholder in a country. The aim is to provide useful sales and performance guidance for smaller countries, genres and exporting destinations.
Slovakia's first music industry report. Following the three income streams model from creation till audience, we summarized for the the number of works that were created, recorded, staged in Slovakia in a year. We calculated their revenues, their …
In Europe, there is a big difference between the use of electronic entertainment devices in richer and poorer countries. Nevertheless, the real difference is between the number of people who sometimes and who never pay for downloaded music, films and software.
We presented the most important findings of the Slovak Music Industry Report with the project sponsor, Mgr. Tomas Miks, member of SOZA’s management team in the first SHARPE music conference in Bratislava.