My open source program code was released within the 3.6.1 version of eurostat R package, making the painful boundary alignment with frequent region border changes, and resulting data imputation work automatic and less error-prone. As a result, more and more of my work, and particularly the music indicators of CEEMID are becoming available on provincial/regional level.
A Progress Report on the Czech Music Development Program and problems in an international context. We would like to invite any Czech stakeholders, or even individuals to join our Research Consortium, because in the music sector, all organization are microenterprise or small enterprise sized, they usually have no significant market research, innovation and strategic HR management capacities. We hope to give them in each country useful tools.
This study argues that the cultural and welfare benefits of this private copying regime are enormous and important to create a good quality of life in Croatia for all age groups, but especially for young people, and it must be maintained. …
Since most music professional work in microenterprises, or as freelancers, they usually do not participate in economic statistical surveys, and their problems remain hidden from government officials and the general public. This is why we designed an developed an individual-level survey since 2014 which in 2019 already covers more than 10 countries.
Slovakia's first music industry report. Following the three income streams model from creation till audience, we summarized for the the number of works that were created, recorded, staged in Slovakia in a year. We calculated their revenues, their …
In Europe, there is a big difference between the use of electronic entertainment devices in richer and poorer countries. Nevertheless, the real difference is between the number of people who sometimes and who never pay for downloaded music, films and software.
We presented the most important findings of the Slovak Music Industry Report with the project sponsor, Mgr. Tomas Miks, member of SOZA’s management team in the first SHARPE music conference in Bratislava.
CEEMID had the honor to participate in the third panel of CEEMP in Warsaw together with Ben McEwen from ICE; Jules Parker from Spotify and Dominic Houston from Netflix, and Chris Butler from Music Sales, who is also the chairperson of ICMP. Our panel was moderated by Nigel Elderton from peermusic, who is also the new chairperson of PRS in the UK.
In our survey, we ask musicians about the most important milestones of their career and their achievement in the past 12 month. So far we have surveyed more than 2000 music professionals and 900 film production professionals in Croatia, Hungary and Slovakia.