<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>collections | Daniel Antal</title><link>https://danielantal.eu/tag/collections/</link><atom:link href="https://danielantal.eu/tag/collections/index.xml" rel="self" type="application/rss+xml"/><description>collections</description><generator>Wowchemy (https://wowchemy.com)</generator><language>en-us</language><lastBuildDate>Fri, 13 Feb 2026 00:00:00 +0000</lastBuildDate><image><url>https://danielantal.eu/media/icon_hub9491570ac57158c0eeecc95c95b13e5_20247_512x512_fill_lanczos_center_3.png</url><title>collections</title><link>https://danielantal.eu/tag/collections/</link></image><item><title>Fortepan &amp; Főfotó</title><link>https://danielantal.eu/portfolio/fortepan/</link><pubDate>Fri, 13 Feb 2026 00:00:00 +0000</pubDate><guid>https://danielantal.eu/portfolio/fortepan/</guid><description>&lt;p>&lt;strong>Fortepan&lt;/strong> is not only an open, privately run photography archive, but has effectively become a Hungarian national institution. Originally built from rescued negatives found during informal “spring-cleaning” discoveries, it has grown into a subjectively curated yet widely used visual memory of Hungary before 1989. Still operated by a civil society organisation, Fortepan today collaborates with major institutions, contributes to exhibitions and publications, and increasingly serves as a repository for private and institutional photographic collections.&lt;/p>
&lt;ul class="cta-group">
&lt;li>
&lt;a href="https://fortepan.hu/en/photos/?donor=Antal%20D%C3%A1niel" class="btn btn-primary px-3 py-3">Browse personal donations&lt;/a>
&lt;/li>
&lt;/ul>
&lt;p>I have been involved with Fortepan as a user, volunteer, and donor for many years.
My most significant contribution was the localisation and recovery of the
long-lost negative archive of Főfotó, a centralised photographic
enterprise created after the nationalisation of private studios in
socialist Hungary. This organisation documented architecture, industry,
public life, and everyday scenes, but its archive disappeared during the
transition of the 1990s.&lt;/p>
&lt;figure id="figure-browsehttpsfortepanhuenphotosqfc591fotc3b3-the-published-curated-photographs-from-this-recovered-collection">
&lt;div class="d-flex justify-content-center">
&lt;div class="w-100" >&lt;img src="https://danielantal.eu/png/photography/fortepan_f%c3%b6foto_search_2x1.png" alt="[Browse](https://fortepan.hu/en/photos/?q=F%C5%91fot%C3%B3) the published, curated photographs from this recovered collection." loading="lazy" data-zoomable />&lt;/div>
&lt;/div>&lt;figcaption>
&lt;a href="https://fortepan.hu/en/photos/?q=F%C5%91fot%C3%B3" target="_blank" rel="noopener">Browse&lt;/a> the published, curated photographs from this recovered collection.
&lt;/figcaption>&lt;/figure>
&lt;p>Through collecting and analysing historical negatives acquired on the art market,
I identified traces of this lost archive and, together with Fortepan,
initiated a process that led to its partial reconstruction. At this point,
no institutional buyer had the resources or the legal capacity to buy this risky
find, so I stepped into as a buyer. We transferred 400,000 negatives (for comparison: more than the permanent
collection of the Dutch Photography Museum) in a van to Budapest from a tiny,
almost derelict village.&lt;/p>
&lt;figure id="figure-the-35mm-rolls-from-the-1980s-occupied-the-least-space">
&lt;div class="d-flex justify-content-center">
&lt;div class="w-100" >&lt;img src="https://danielantal.eu/jpg/fortepan/fofoto_35mm.jpg" alt="The 35mm rolls from the 1980s occupied the least space." loading="lazy" data-zoomable />&lt;/div>
&lt;/div>&lt;figcaption>
The 35mm rolls from the 1980s occupied the least space.
&lt;/figcaption>&lt;/figure>
&lt;p>After clarifying legal and provenance issues, which took quiet some time, the
400,000 that came in large banana boxes and their original drawer structure (
the most important physical organisational system that we wanted to preserve
intact) this collection lived with me, filling much of my bedroom.&lt;/p>
&lt;p>After a long process, the with surviving inventory records—were
recovered, digitised in part by Fortepan,
and ultimately deposited in the Budapest City Archives.
This process required not only historical and technical expertise,
but also careful negotiation around ownership, provenance, and public
accessibility.&lt;/p>
&lt;p>For me, this project represents a concrete example of how photographic
heritage can be reconstructed outside institutional frameworks and later
reintegrated into them. It reflects a long-standing interest in the
lifecycle of collections—how they are created, lost, rediscovered, and
reinterpreted—and in the role that individuals and civic initiatives can
play in preserving cultural memory.&lt;/p>
&lt;figure id="figure-browsehttpsfortepanhuenphotosqfc591fotc3b3-the-published-curated-photographs-from-this-recovered-collection">
&lt;div class="d-flex justify-content-center">
&lt;div class="w-100" >&lt;img src="https://danielantal.eu/png/photography/fortepan_f%c3%b6foto_search_2x1.png" alt="[Browse](https://fortepan.hu/en/photos/?q=F%C5%91fot%C3%B3) the published, curated photographs from this recovered collection." loading="lazy" data-zoomable />&lt;/div>
&lt;/div>&lt;figcaption>
&lt;a href="https://fortepan.hu/en/photos/?q=F%C5%91fot%C3%B3" target="_blank" rel="noopener">Browse&lt;/a> the published, curated photographs from this recovered collection.
&lt;/figcaption>&lt;/figure></description></item><item><title>Mari Clothing Heritage Across Collections</title><link>https://danielantal.eu/post/2026-01-22-mari-exhibition/</link><pubDate>Thu, 22 Jan 2026 08:45:00 +0100</pubDate><guid>https://danielantal.eu/post/2026-01-22-mari-exhibition/</guid><description>&lt;ul class="cta-group">
&lt;li>
&lt;a href="https://finnougric.substack.com/p/mari-clothing-heritage-across-collections" class="btn btn-primary px-3 py-3">Read our Substack blogpost&lt;/a>
&lt;/li>
&lt;/ul>
&lt;blockquote>
&lt;p>Rather than building a new platform or launching a large institutional programme,
we focused on a carefully designed, hands-on intervention. The goal was to create a
concrete, working example that could be expanded, criticised, reused,
and—crucially—taken up by others. &lt;a href="https://finnougric.substack.com/p/mari-clothing-heritage-across-collections" target="_blank" rel="noopener">Continue reading on Substack&amp;hellip;&lt;/a>&lt;/p>
&lt;/blockquote></description></item><item><title>WikiMuseum</title><link>https://danielantal.eu/portfolio/wikimuseum/</link><pubDate>Wed, 24 Sep 2025 00:00:00 +0000</pubDate><guid>https://danielantal.eu/portfolio/wikimuseum/</guid><description>&lt;p>Wikimuseum is an experimental curatorial concept developed with Wikimedia Eesti
and Wikimedia Hungary, creating multilingual, co-curated exhibitions across
Wikimedia Commons, Wikidata, and Wikipedia. It brings together dispersed cultural
heritage—often never seen together physically—into structured digital exhibitions
that connect institutional collections, private archives, and community knowledge.&lt;/p>
&lt;p>The project explores how open platforms can support collaboration between museums,
researchers, and source communities, while addressing legal, ethical, and
data governance challenges.&lt;/p>
&lt;h2 id="key-exhibitions--outcomes">Key exhibitions &amp;amp; outcomes&lt;/h2>
&lt;p>&lt;strong>Livonian Traditional Dress (TextileBase integration)&lt;/strong>
A cross-border exhibition connecting collections from Latvia, Estonia, and Finland,
forming the first comprehensive, structured visual and data-driven presentation of
the dress heritage of Liv (Livonian) people. Its research data is powered
by the &lt;a href="">TextileBase&lt;/a> project. Visit the exhibition in the Wikimuseum at &lt;a href="https://et.wikipedia.org/wiki/Vikipeedia:GLAM/Traditional_Livonian_Clothing/en/1" target="_blank" rel="noopener">https://et.wikipedia.org/wiki/Vikipeedia:GLAM/Traditional_Livonian_Clothing/en/1&lt;/a>&lt;/p>
&lt;p>&lt;strong>Mari Traditional Clothing (ERM-led multilingual exhibition)&lt;/strong>
Built primarily on ERM collections and complemented by Finnish and Wikimedia
Commons materials, this exhibition provides accessible interpretation in
Estonian, Hungarian, English, Russian, and Meadow Mari, reconnecting dispersed
heritage with both international audiences and Mari communities. Visit the
exhibition on Wikimedia Eesti&amp;rsquo;s GLAM page:&lt;/p>
&lt;td style="text-align: center;">
&lt;figure id="figure-visit-the-exhibitionhttpsetwikipediaorgwikivikipeediaglamtraditional_mari_clothing_in_the_collection_of_the_estonian_national_museumintroduction">
&lt;div class="d-flex justify-content-center">
&lt;div class="w-100" >&lt;img src="jpg%5cwikimuseum%5ctraditional-mari-clothing-wide.jpg" alt="Visit the [exhibition](https://et.wikipedia.org/wiki/Vikipeedia:GLAM/Traditional_Mari_Clothing_in_the_Collection_of_the_Estonian_National_Museum/Introduction)" loading="lazy" data-zoomable />&lt;/div>
&lt;/div>&lt;figcaption>
Visit the &lt;a href="https://et.wikipedia.org/wiki/Vikipeedia:GLAM/Traditional_Mari_Clothing_in_the_Collection_of_the_Estonian_National_Museum/Introduction" target="_blank" rel="noopener">exhibition&lt;/a>
&lt;/figcaption>&lt;/figure>
&lt;/td>
&lt;p>&lt;strong>Udmurt Ethnographic Photography&lt;/strong> (ongoing, community-informed curation)
A collaborative project with Wikimedia Hungary and Udmurt contributors focusing
on improving provenance, correcting historical descriptions, and identifying
dispersed or censored photographic materials across collections.&lt;/p>
&lt;td style="text-align: center;">
&lt;figure id="figure-visit-the-growing-collectionhttpscommonswikimediaorgwikiudmurt_historical_photographs_collection">
&lt;div class="d-flex justify-content-center">
&lt;div class="w-100" >&lt;img src="media%5cjpg%5cwikimuseum%5cudmurt-historical-photographs-collection-wide" alt="Visit the growing [collection](https://commons.wikimedia.org/wiki/Udmurt_Historical_Photographs_Collection)" loading="lazy" data-zoomable />&lt;/div>
&lt;/div>&lt;figcaption>
Visit the growing &lt;a href="https://commons.wikimedia.org/wiki/Udmurt_Historical_Photographs_Collection" target="_blank" rel="noopener">collection&lt;/a>
&lt;/figcaption>&lt;/figure>
&lt;/td>
&lt;h2 id="key-insights--lessons">Key insights / lessons&lt;/h2>
&lt;ul>
&lt;li>Open platforms can function as curated museum environments, not only repositories, when structured with clear metadata and narrative layers&lt;/li>
&lt;li>Multilingual annotation and community participation enable reconstruction of missing knowledge, especially for underrepresented or historically misrepresented groups&lt;/li>
&lt;li>Digital co-curation creates new forms of collaboration between institutions, civic initiatives, and source communities, but requires careful handling of legal, ethical, and governance questions&lt;/li>
&lt;/ul></description></item><item><title>TextileBase</title><link>https://danielantal.eu/portfolio/textilebase/</link><pubDate>Sun, 11 May 2025 15:05:10 +0100</pubDate><guid>https://danielantal.eu/portfolio/textilebase/</guid><description>&lt;p>&lt;code>TextileBase&lt;/code> is a platform to &lt;strong>collect, connect, and share knowledge about historical clothing&lt;/strong>.&lt;br>
It links artefacts, photographs, secondary sources, and institutional records into a &lt;strong>multilingual, interoperable, and searchable knowledge graph&lt;/strong>.&lt;/p>
&lt;p>By bringing together scattered records from museums, archives, researchers, and businesses, TextileBase enables richer stories about how people dressed, lived, and expressed themselves.&lt;/p>
&lt;div class="alert alert-note">
&lt;div>
&lt;h4 id="why-textiles">Why Textiles?&lt;/h4>
&lt;p>Unlike stone or metal, textiles are fragile. Few garments survive beyond a century. What we know often comes from dispersed museum pieces, old photographs, or drawings — often in different languages and formats.&lt;/p>
&lt;p>TextileBase connects these fragments into one network: a &lt;strong>living map of dress history&lt;/strong>.&lt;/p>
&lt;/div>
&lt;/div>
&lt;h2 id="who-is-textilebase-for">Who is TextileBase for?&lt;/h2>
&lt;ul>
&lt;li>&lt;strong>Museums &amp;amp; archives&lt;/strong> — link dispersed collections into larger platforms such as Europeana and ECCCH.&lt;/li>
&lt;li>&lt;strong>Researchers &amp;amp; cultural heritage projects&lt;/strong> — manage data to FAIR/8-star standards, publish reusable datasets, data papers, and visualisations.&lt;/li>
&lt;li>&lt;strong>Businesses&lt;/strong> — from sustainable fashion to cultural tourism, TextileBase supports digital product passports, provenance tracking, and heritage storytelling.&lt;/li>
&lt;/ul>
&lt;td style="text-align: center;">
&lt;figure id="figure-connect-artefacts-images-and-texts-into-one-collaborative-ai-supported-research-space">
&lt;div class="d-flex justify-content-center">
&lt;div class="w-100" >&lt;img alt="Connect artefacts, images, and texts into one collaborative, AI-supported research space." srcset="
/media/png/dataspace/textilebase/20250605_TextileBase_02_huc9e286d1cb3984786df9790638b0726a_237191_7abbff85e443676f11eb849657978ddd.webp 400w,
/media/png/dataspace/textilebase/20250605_TextileBase_02_huc9e286d1cb3984786df9790638b0726a_237191_28a22d6eaab3462ade363acdb8188203.webp 760w,
/media/png/dataspace/textilebase/20250605_TextileBase_02_huc9e286d1cb3984786df9790638b0726a_237191_1200x1200_fit_q75_h2_lanczos_3.webp 1200w"
src="https://danielantal.eu/media/png/dataspace/textilebase/20250605_TextileBase_02_huc9e286d1cb3984786df9790638b0726a_237191_7abbff85e443676f11eb849657978ddd.webp"
width="760"
height="428"
loading="lazy" data-zoomable />&lt;/div>
&lt;/div>&lt;figcaption>
Connect artefacts, images, and texts into one collaborative, AI-supported research space.
&lt;/figcaption>&lt;/figure>
&lt;/td>
&lt;details class="spoiler " id="spoiler-2">
&lt;summary>👉 Build on shared knowledge: Technical details &amp;amp; offering&lt;/summary>
&lt;p>&lt;ul>
&lt;li>&lt;a href="https://reprexbase.eu/textilebase/" target="_blank" rel="noopener">TextileBase website&lt;/a>&lt;/li>
&lt;li>&lt;a href="https://reprex.nl/documents/textilebase/txb-preprint.pdf" target="_blank" rel="noopener">TextileBase methodology preprint&lt;/a>&lt;/li>
&lt;li>&lt;a href="https://reprex.nl/event/2025-07-10-textilebase/" target="_blank" rel="noopener">TextileBase Introduction Seminar&lt;/a>&lt;/li>
&lt;li>&lt;a href="https://reprex.nl/documents/textilebase/txb-tech-specs.pdf" target="_blank" rel="noopener">TextileBase technical specifications (PDF)&lt;/a>&lt;/li>
&lt;li>&lt;a href="https://reprex.nl/documents/textilebase/txb-offering.pdf" target="_blank" rel="noopener">TextileBase subscription packages (PDF)&lt;/a>&lt;/li>
&lt;/ul>
&lt;/p>
&lt;/details>
&lt;p>&lt;code>TextileBase&lt;/code> is not only about preserving the past — it’s about &lt;strong>making data usable now&lt;/strong>, for research, heritage, and innovation.&lt;/p>
&lt;h2 id="examples-from-the-database">Examples from the Database&lt;/h2>
&lt;td style="text-align: center;">
&lt;figure id="figure-connecting-dispersed-artefacts-19th-century-latgalian-garments-in-one-linked-dataset-q142httpsreprexbaseeutextilebaseitemq142-q180httpsreprexbaseeutextilebaseitemq180-q179httpsreprexbaseeutextilebaseitemq179-q181httpsreprexbaseeutextilebaseitemq181">
&lt;div class="d-flex justify-content-center">
&lt;div class="w-100" >&lt;img alt="Connecting dispersed artefacts: 19th-century Latgalian garments in one linked dataset ([Q142](https://reprexbase.eu/textilebase/Item:Q142), [Q180](https://reprexbase.eu/textilebase/Item:Q180), [Q179](https://reprexbase.eu/textilebase/Item:Q179), [Q181](https://reprexbase.eu/textilebase/Item:Q181))." srcset="
/media/png/dataspace/textilebase/Textilebase_four_images_hud9c1ab3a1a107b842d90f84f6576b635_244654_c7d8e4451d5ce9ff2a6b3c6620e7010a.webp 400w,
/media/png/dataspace/textilebase/Textilebase_four_images_hud9c1ab3a1a107b842d90f84f6576b635_244654_e05a6496c265420cb806ca4974eaa553.webp 760w,
/media/png/dataspace/textilebase/Textilebase_four_images_hud9c1ab3a1a107b842d90f84f6576b635_244654_1200x1200_fit_q75_h2_lanczos_3.webp 1200w"
src="https://danielantal.eu/media/png/dataspace/textilebase/Textilebase_four_images_hud9c1ab3a1a107b842d90f84f6576b635_244654_c7d8e4451d5ce9ff2a6b3c6620e7010a.webp"
width="760"
height="380"
loading="lazy" data-zoomable />&lt;/div>
&lt;/div>&lt;figcaption>
Connecting dispersed artefacts: 19th-century Latgalian garments in one linked dataset (&lt;a href="https://reprexbase.eu/textilebase/Item:Q142" target="_blank" rel="noopener">Q142&lt;/a>, &lt;a href="https://reprexbase.eu/textilebase/Item:Q180" target="_blank" rel="noopener">Q180&lt;/a>, &lt;a href="https://reprexbase.eu/textilebase/Item:Q179" target="_blank" rel="noopener">Q179&lt;/a>, &lt;a href="https://reprexbase.eu/textilebase/Item:Q181" target="_blank" rel="noopener">Q181&lt;/a>).
&lt;/figcaption>&lt;/figure>
&lt;/td>
&lt;h3 id="connecting-artefacts-across-borders">Connecting Artefacts Across Borders&lt;/h3>
&lt;td style="text-align: center;">
&lt;figure id="figure-using-persistent-identifiers-to-link-rare-rural-artefacts-mõniste-shoes-q256httpsreprexbaseeutextilebaseitemq256-with-related-items-in-major-museums-q348httpsreprexbaseeutextilebaseitemq348">
&lt;div class="d-flex justify-content-center">
&lt;div class="w-100" >&lt;img alt="Using persistent identifiers to link rare rural artefacts (Mõniste shoes, [Q256](https://reprexbase.eu/textilebase/Item:Q256)) with related items in major museums ([Q348](https://reprexbase.eu/textilebase/Item:Q348))." srcset="
/media/png/dataspace/textilebase/_hu0383cfdd17bc06a1a5c9b965698b5240_1109255_20c9a87e2e41770c6b30499786cc46a1.webp 400w,
/media/png/dataspace/textilebase/_hu0383cfdd17bc06a1a5c9b965698b5240_1109255_4e3b2bd43f680d1d6ab568f26cc19037.webp 760w,
/media/png/dataspace/textilebase/_hu0383cfdd17bc06a1a5c9b965698b5240_1109255_45e1955df89c0c12aebd3c1326bdae8b.webp 1200w"
src="https://danielantal.eu/media/png/dataspace/textilebase/_hu0383cfdd17bc06a1a5c9b965698b5240_1109255_20c9a87e2e41770c6b30499786cc46a1.webp"
width="760"
height="509"
loading="lazy" data-zoomable />&lt;/div>
&lt;/div>&lt;figcaption>
Using persistent identifiers to link rare rural artefacts (Mõniste shoes, &lt;a href="https://reprexbase.eu/textilebase/Item:Q256" target="_blank" rel="noopener">Q256&lt;/a>) with related items in major museums (&lt;a href="https://reprexbase.eu/textilebase/Item:Q348" target="_blank" rel="noopener">Q348&lt;/a>).
&lt;/figcaption>&lt;/figure>
&lt;/td>
&lt;h3 id="understanding-secondary-sources">Understanding Secondary Sources&lt;/h3>
&lt;td style="text-align: center;">
&lt;figure id="figure-enriching-records-with-secondary-sources-trousers-identified-from-a-1913-seto-photograph-q331httpsreprexbaseeutextilebaseitemq331">
&lt;div class="d-flex justify-content-center">
&lt;div class="w-100" >&lt;img alt="Enriching records with secondary sources: trousers identified from a 1913 Seto photograph ([Q331](https://reprexbase.eu/textilebase/Item:Q331))." srcset="
/media/png/dataspace/textilebase/028747_ERM_Fk213_172_028747_original_detail_huecdf2f0ae34751b4bdf3298385c056a4_1719822_6f74e42639618b928a70983804de34e0.webp 400w,
/media/png/dataspace/textilebase/028747_ERM_Fk213_172_028747_original_detail_huecdf2f0ae34751b4bdf3298385c056a4_1719822_813921b5973e10657461b205f461522a.webp 760w,
/media/png/dataspace/textilebase/028747_ERM_Fk213_172_028747_original_detail_huecdf2f0ae34751b4bdf3298385c056a4_1719822_1200x1200_fit_q75_h2_lanczos.webp 1200w"
src="https://danielantal.eu/media/png/dataspace/textilebase/028747_ERM_Fk213_172_028747_original_detail_huecdf2f0ae34751b4bdf3298385c056a4_1719822_6f74e42639618b928a70983804de34e0.webp"
width="760"
height="380"
loading="lazy" data-zoomable />&lt;/div>
&lt;/div>&lt;figcaption>
Enriching records with secondary sources: trousers identified from a 1913 Seto photograph (&lt;a href="https://reprexbase.eu/textilebase/Item:Q331" target="_blank" rel="noopener">Q331&lt;/a>).
&lt;/figcaption>&lt;/figure>
&lt;/td>
&lt;h3 id="following-shifting-place-names">Following Shifting Place Names&lt;/h3>
&lt;td style="text-align: center;">
&lt;figure id="figure-tracing-shifting-place-names-a-livonian-skirt-recorded-under-finnish-german-livonian-and-latvian-toponyms-q347httpsreprexbaseeutextilebaseitemq347">
&lt;div class="d-flex justify-content-center">
&lt;div class="w-100" >&lt;img alt="Tracing shifting place names: a Livonian skirt recorded under Finnish, German, Livonian, and Latvian toponyms ([Q347](https://reprexbase.eu/textilebase/Item:Q347))." srcset="
/media/png/dataspace/textilebase/_hu738d4ad8ec0ad05ec3b7ce83df1ce8e6_1860996_3e791d5bcc9999954129f6601ce9a5d1.webp 400w,
/media/png/dataspace/textilebase/_hu738d4ad8ec0ad05ec3b7ce83df1ce8e6_1860996_64d7441d46a5b5cffcd1b034ef59c759.webp 760w,
/media/png/dataspace/textilebase/_hu738d4ad8ec0ad05ec3b7ce83df1ce8e6_1860996_9187e0ba980f3af8e3ee6db985c6325f.webp 1200w"
src="https://danielantal.eu/media/png/dataspace/textilebase/_hu738d4ad8ec0ad05ec3b7ce83df1ce8e6_1860996_3e791d5bcc9999954129f6601ce9a5d1.webp"
width="760"
height="507"
loading="lazy" data-zoomable />&lt;/div>
&lt;/div>&lt;figcaption>
Tracing shifting place names: a Livonian skirt recorded under Finnish, German, Livonian, and Latvian toponyms (&lt;a href="https://reprexbase.eu/textilebase/Item:Q347" target="_blank" rel="noopener">Q347&lt;/a>).
&lt;/figcaption>&lt;/figure>
&lt;/td>
&lt;h3 id="wiki">Building a Wikimuseum for Dispersed Collections&lt;/h3>
&lt;p>Inspired by Wikimedia Estonia’s multi-language, open-access model, we propose a &lt;strong>virtual museum&lt;/strong>—a &lt;strong>Wikimuseum&lt;/strong>—that brings together:&lt;/p>
&lt;ul>
&lt;li>Artefacts from rural museums (e.g., Mõniste, Saatse, Värska)&lt;/li>
&lt;li>Items in national museums (Estonia, Finland, Hungary)&lt;/li>
&lt;li>Private collections that would never be physically exhibited together&lt;/li>
&lt;/ul>
&lt;td style="text-align: center;">
&lt;figure id="figure-building-a-wikimuseum-connecting-dispersed-collections-across-languages-borders-and-institutions-see-early-prototype-seto-traditional-clothinghttpsetwikipediaorgwikivikipeediaglamseto_traditional_culture_heritage1">
&lt;div class="d-flex justify-content-center">
&lt;div class="w-100" >&lt;img alt="Building a Wikimuseum: connecting dispersed collections across languages, borders, and institutions. See early prototype: [Seto Traditional Clothing](https://et.wikipedia.org/wiki/Vikipeedia:GLAM/Seto_Traditional_Culture_Heritage/1)." srcset="
/media/png/wikimuseum/wikimuseum-seto-demo_2x1_hu4fd40cff62dbd8d1f8fb20f4d2ec2e37_403492_a44059341ce49b1859b8088534b564b0.webp 400w,
/media/png/wikimuseum/wikimuseum-seto-demo_2x1_hu4fd40cff62dbd8d1f8fb20f4d2ec2e37_403492_128aca92d94f65b7886be088bc6b6dcc.webp 760w,
/media/png/wikimuseum/wikimuseum-seto-demo_2x1_hu4fd40cff62dbd8d1f8fb20f4d2ec2e37_403492_1200x1200_fit_q75_h2_lanczos_3.webp 1200w"
src="https://danielantal.eu/media/png/wikimuseum/wikimuseum-seto-demo_2x1_hu4fd40cff62dbd8d1f8fb20f4d2ec2e37_403492_a44059341ce49b1859b8088534b564b0.webp"
width="760"
height="472"
loading="lazy" data-zoomable />&lt;/div>
&lt;/div>&lt;figcaption>
Building a Wikimuseum: connecting dispersed collections across languages, borders, and institutions. See early prototype: &lt;a href="https://et.wikipedia.org/wiki/Vikipeedia:GLAM/Seto_Traditional_Culture_Heritage/1" target="_blank" rel="noopener">Seto Traditional Clothing&lt;/a>.
&lt;/figcaption>&lt;/figure>
&lt;/td>
&lt;p>👉🏿 Preview Presentation &lt;a href="https://reprex.nl/slides/20250609_wikimuseum_concept/" target="_blank" rel="noopener">The Concept of a WikiMuseum: WikiMuseum = GLAM Wiki + Wikibase + Data Sharing Space&lt;/a> press &lt;strong>F&lt;/strong> for full-screen view (to be presented at WikimediaCEE 2025 in Thessaloniki.)&lt;/p>
&lt;h2 id="next-steps">Next Steps&lt;/h2>
&lt;p>👉🏻 &lt;a href="https://reprexbase.eu/textilebase/" target="_blank" rel="noopener">Visit the TextileBase website&lt;/a>&lt;/p>
&lt;p>👉🏾 &lt;a href="https://reprex.nl/documents/textilebase/txb-offering.pdf" target="_blank" rel="noopener">Subscribe (PDF)&lt;/a>&lt;/p>
&lt;p>👉🏼 &lt;a href="https://reprex.nl/contact/" target="_blank" rel="noopener">Get in touch&lt;/a>&lt;/p></description></item><item><title>Finno-Ugric Data Sharing Space</title><link>https://danielantal.eu/portfolio/finnougric/</link><pubDate>Fri, 28 Feb 2025 17:40:00 +0100</pubDate><guid>https://danielantal.eu/portfolio/finnougric/</guid><description>&lt;p>The Finno-Ugric Data Sharing Space is a research-driven data sharing space for reconnecting
fragmented cultural heritage across languages, institutions, and countries.
Developed with minimal resources as a curatorial and technical experiment,
it combines semantic web technologies with participatory methods to make
underrepresented Finno-Ugric cultures visible and reusable in contemporary
digital infrastructures.&lt;/p>
&lt;p>Rather than building a new repository, the project demonstrates how
multilingual metadata, community-driven annotation, and lightweight
governance models can enable cultural reconstruction and long-term
interoperability in low-scale heritage ecosystems.&lt;/p></description></item></channel></rss>