My presentation provided for the Slovak music industry stakeholders in this dialogue are not made available in a more general form, because the problems in Croatia, Hungary, Poland, Slovakia, and to a great extent in the broader region including Austria, Slovenia and Czechia are very similar.
The Central European Music Industry Report 2020 was updated with a technical annex that points out to the new wiki documentation website of CEEMID to make our work more accessible for designing the European Music Observatory.
I was asked to contribute an article to the COVID-19 economic crisis series of the Hungarian business weekly and portal hgv.hu. While the article is only available in Hungarian, and behind a paywall, it draws on experiences that are very similar across the CEE region, and in some cases, in most the European Union.
CEEMID has a large enough answer pool for an empirical clustering of occupations in terms of economic activity and work output, that is why I was invited to the ESCO Focus Group on CCI Occupations and Skills.
CEEMID has a large enough answer pool for an empirical clustering of occupations. We are able to perform clustering of job descriptions, earnings, educational levels, and work output (such as films, documentaries, TV programmes, live music performances, music compositions, etc) to empirically create groups with a “set of jobs whose main tasks and duties are characterised by a high degree of similarity” in terms of economic activity and work output.
The Central & Eastern European Music Industry Report 2020 was presented as a case-study on national and comparative evidence-based policymaking in the cultural and creative sector.