<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>gabija_liaugminaite | Antal Dániel honlapja</title><link>https://danielantal.eu/hu/author/gabija_liaugminaite/</link><atom:link href="https://danielantal.eu/hu/author/gabija_liaugminaite/index.xml" rel="self" type="application/rss+xml"/><description>gabija_liaugminaite</description><generator>Wowchemy (https://wowchemy.com)</generator><language>hu</language><lastBuildDate>Tue, 22 Nov 2022 09:09:00 +0100</lastBuildDate><image><url>https://danielantal.eu/media/icon_hub9491570ac57158c0eeecc95c95b13e5_20247_512x512_fill_lanczos_center_3.png</url><title>gabija_liaugminaite</title><link>https://danielantal.eu/hu/author/gabija_liaugminaite/</link></image><item><title>Surveying Better Gender Diversity Within the Music Industry and Audiences</title><link>https://danielantal.eu/hu/post/2022-11-22-surveyharmonies/</link><pubDate>Tue, 22 Nov 2022 09:09:00 +0100</pubDate><guid>https://danielantal.eu/hu/post/2022-11-22-surveyharmonies/</guid><description>&lt;p>&lt;strong>In this case study, we will collect responses in English and Italian among music professionals and fans on LineCheck, and compare their answers with 10,000s of answers from their countries, from other occupational groups, and other countries.&lt;/strong>&lt;/p>
&lt;div class="alert alert-note">
&lt;div>
&lt;p>How to fill out this survey?&lt;/p>
&lt;ul>
&lt;li>EN on &lt;a href="https://docs.google.com/forms/d/e/1FAIpQLSet43sYVvK1HHzabxuO3NRpdzKd2kLL4xwhaiiuwGmhJVqOVg/viewform?usp=sf_link" target="_blank" rel="noopener">Google Forms&lt;/a> (will be our free tool)&lt;/li>
&lt;li>IT su &lt;a href="https://docs.google.com/forms/d/e/1FAIpQLSeI7GJ0JDi7dNr-sL4JEsQ86ksNH00tqNSwmB4fEwBOBqseBA/viewform?usp=sf_link" target="_blank" rel="noopener">Google Forms&lt;/a> (sarà il nostro strumento gratuito)&lt;/li>
&lt;li>&lt;a href="https://www.surveymonkey.com/r/surveyharmonies_linecheck_demo" target="_blank" rel="noopener">SurveyMonkey&lt;/a> can be more suitable for more languages.&lt;/li>
&lt;/ul>
&lt;/div>
&lt;/div>
&lt;details class="toc-inpage d-print-none " open>
&lt;summary class="font-weight-bold">Tartalomjegyzék&lt;/summary>
&lt;nav id="TableOfContents">
&lt;ul>
&lt;li>&lt;a href="#what-are-the-benefits-of-recycling-and-harmonizing-surveys">What are the benefits of recycling and harmonizing surveys?&lt;/a>&lt;/li>
&lt;li>&lt;a href="#who-we-are-asking">Who we are asking?&lt;/a>&lt;/li>
&lt;li>&lt;a href="#what-are-we-asking">What are we asking?&lt;/a>
&lt;ul>
&lt;li>&lt;/li>
&lt;/ul>
&lt;/li>
&lt;/ul>
&lt;/nav>
&lt;/details>
&lt;h2 id="what-are-the-benefits-of-recycling-and-harmonizing-surveys">What are the benefits of recycling and harmonizing surveys?&lt;/h2>
&lt;p>&lt;code>Surveyharmonies&lt;/code> allows you to make more, bolder, and better-supported statements for your argument. Our technology vastly improves the quality and the inferential capacity of your surveys.&lt;/p>
&lt;figure id="figure-retrospective-survey-harmonization-means-that-your-answers-we-surveyed-about-1500-music-professionals-in-2019-can-be-compared-with-other-respondants-for-example-the-same-questions-asked-in-eurobarometer-from-more-than-30000-people">
&lt;div class="d-flex justify-content-center">
&lt;div class="w-100" >&lt;img src="img/blogposts_2021/difficulty_bills_levels.jpg" alt="Retrospective survey harmonization means that your answers (we surveyed about 1500 music professionals in 2019) can be compared with other respondants (for example, the same questions asked in Eurobarometer from more than 30,000 people.)" loading="lazy" data-zoomable />&lt;/div>
&lt;/div>&lt;figcaption>
Retrospective survey harmonization means that your answers (we surveyed about 1500 music professionals in 2019) can be compared with other respondants (for example, the same questions asked in Eurobarometer from more than 30,000 people.)
&lt;/figcaption>&lt;/figure>
&lt;h2 id="who-we-are-asking">Who we are asking?&lt;/h2>
&lt;p>We are asking music professionals in almost 100 artistic, technical or managerial roles. The way we form the questions make your answers comparable to the worlds largest database of musicians&amp;rsquo; (anonymous) income and working condition database, and many non-music specific survey programs, such as Eurobarometer or the European Values Survey.&lt;/p>
&lt;h2 id="what-are-we-asking">What are we asking?&lt;/h2>
&lt;p>We are asking questions that have been asked before. We created a small demonstration survey to show how we can better understand gender diversity in the music sector. We will anonymously record your answers, and connect them to the answers of more than 28,000 people who answered these questions earlier.&lt;/p>
&lt;div class="alert alert-note">
&lt;div>
&lt;p>How to fill out this survey?&lt;/p>
&lt;ul>
&lt;li>EN on Google Forms (will be our free tool)&lt;/li>
&lt;li>IT su Google Forms (sarà il nostro strumento gratuito)&lt;/li>
&lt;li>Both lanugages on SurveyMonkey (free for now)&lt;/li>
&lt;/ul>
&lt;/div>
&lt;/div>
&lt;h4 id="in-your-opinion-are-inequalities-between-women-and-men-nowadays-very-widespread-fairly-widespread-fairly-rare-or-very-rare-in-the-country-where-you-live">In your opinion, are inequalities between women and men nowadays very widespread, fairly widespread, fairly rare or very rare in the country where you live?&lt;/h4>
&lt;p>This question was asked in the &lt;details class="spoiler " id="spoiler-4">
&lt;summary>Eurobarometer 82.4 survey&lt;/summary>
&lt;p>Eurobarometer 82.4: The European Parliament, Autonomous Systems, Gender Equality, and Smoking Habits, November-December 2014.&lt;/p>
&lt;/details>
This means that we can &lt;a href="https://www.icpsr.umich.edu/web/ICPSR/studies/36664/datasets/0001/variables/QB2?archive=icpsr" target="_blank" rel="noopener">compare&lt;/a> what different occupational groups, men and women, different age groups answered to this question.&lt;/p>
&lt;h4 id="and-within-the-music-business-or-music-non-profit-sector-of-your-country">And within the music business or music non-profit sector of your country?&lt;/h4>
&lt;p>We are asking &lt;em>And within the music business or music non-profit sector of your country, are inequalities between women and men nowadays very widespread, fairly widespread, fairly rare, or very rare in the country that you chose (where you live and work?)&lt;/em> to gain more insight about the potential differences within the music sector and the country where the music professional lives.&lt;/p>
&lt;div class="alert alert-note">
&lt;div>
Works best if you use this from music professionals and non-music professionals in the same country.
&lt;/div>
&lt;/div>
&lt;h4 id="in-your-opinion-in-your-country-in-the-year-around-2030-do-you-think-that-">In your opinion, in your country, in the year around 2030, do you think that …?&lt;/h4>
&lt;ul>
&lt;li>&lt;input disabled="" type="checkbox"> The image of women will be less stereotyped in the media (&lt;a href="https://www.icpsr.umich.edu/web/ICPSR/studies/28186/datasets/0001/variables/QC16_1?archive=ICPSR" target="_blank" rel="noopener">compare&lt;/a>)&lt;/li>
&lt;li>&lt;input disabled="" type="checkbox"> Men and women will earn the same pay (&lt;a href="https://www.icpsr.umich.edu/web/ICPSR/studies/28186/datasets/0001/variables/QC16_2?archive=ICPSR" target="_blank" rel="noopener">compare&lt;/a>)&lt;/li>
&lt;li>&lt;input disabled="" type="checkbox"> Men will take care of more household and family tasks (&lt;a href="https://www.icpsr.umich.edu/web/ICPSR/studies/28186/datasets/0001/variables/QC16_3?archive=ICPSR" target="_blank" rel="noopener">compare&lt;/a>)&lt;/li>
&lt;li>&lt;input disabled="" type="checkbox"> Women will be more represented among Heads of State and government (&lt;a href="https://www.icpsr.umich.edu/web/ICPSR/studies/28186/datasets/0001/variables/QC16_4?archive=ICPSR" target="_blank" rel="noopener">compare&lt;/a>)&lt;/li>
&lt;li>&lt;input disabled="" type="checkbox"> Women will be more present in traditionally masculine professions (&lt;a href="https://www.icpsr.umich.edu/web/ICPSR/studies/28186/datasets/0001/variables/QC16_5?archive=ICPSR" target="_blank" rel="noopener">compare&lt;/a>&lt;/li>
&lt;li>&lt;input disabled="" type="checkbox"> Acts of violence against women will have decreased (&lt;a href="https://www.icpsr.umich.edu/web/ICPSR/studies/28186/datasets/0001/variables/QC16_6?archive=ICPSR" target="_blank" rel="noopener">compare&lt;/a>)&lt;/li>
&lt;li>&lt;input disabled="" type="checkbox"> Women’s rights in developing countries will be better recognised (&lt;a href="https://www.icpsr.umich.edu/web/ICPSR/studies/28186/datasets/0001/variables/QC16_7?archive=ICPSR" target="_blank" rel="noopener">compare&lt;/a>)&lt;/li>
&lt;/ul>
&lt;p>This question was asked in the &lt;details class="spoiler " id="spoiler-6">
&lt;summary>Eurobarometer 72.2 survey in 2009.&lt;/summary>
&lt;p>Eurobarometer 72.2: Nuclear Energy, Corruption, Gender Equality, Healthcare, and Civil Protection, September-October 2009.&lt;/p>
&lt;/details>&lt;/p>
&lt;p>This means that we can compare what different occupational groups, men and women, different age groups answered to this question. In 2009, 2030 was a long way many years ahead, but not any more. We could ask this question in two different ways again. We could ask what people think about 2040 to have a similar perspective, or re-ask how they think about 2030 which is only 8 years away by now.&lt;/p>
&lt;p>See our earlier blogposts:&lt;/p>
&lt;ul>
&lt;li>&lt;a href="https://music.dataobservatory.eu/post/2022-02-16-survey-harmonization/" target="_blank" rel="noopener">What is survey harmonization?&lt;/a>&lt;/li>
&lt;li>&lt;a href="https://music.dataobservatory.eu/post/2021-03-05-retroharmonize-climate/" target="_blank" rel="noopener">Climate awareness use case&lt;/a>&lt;/li>
&lt;/ul></description></item><item><title>Listen Local Nederland, Utrecht, NL</title><link>https://danielantal.eu/hu/event/2022-10-31_utrecht/</link><pubDate>Thu, 03 Nov 2022 17:00:00 +0000</pubDate><guid>https://danielantal.eu/hu/event/2022-10-31_utrecht/</guid><description>&lt;td style="text-align: center;">
&lt;figure id="figure-we-will-carry-out-the-research-outlined-in-our-feasibility-study-httpsmusicdataobservatoryeupublicationlisten_local_2020-within-the-openmuse-project-from-1-january-2023-in-an-open-collaboration-with-cultural-policymakers-the-local-music-ecosystem-and-open-source-developers-our-partner-mxfhttpsmusicdataobservatoryeuprojectopenmuse-tries-to-put-the-findings-into-actionable-data-serviceshttpsmusicdataobservatoryeuslideslisten-local-lithuania-invitation-in-lithuania-and-ukraine-with-the-help-of-musicairehttpsmusicaireeu-we-develop-open-tools-that-can-be-applied-in-utrecht-the-hague-budapest-tallinn-vilniushttpsmusicdataobservatoryeuslideslll-mic-bratislavahttpsmusicdataobservatoryeuslidesopenmuse-bratislava-or-anywhere">
&lt;div class="d-flex justify-content-center">
&lt;div class="w-100" >&lt;img src="reports/listen_local_2020/listen_local_study_covers.png" alt="We will carry out the research outlined in our [feasibility study ](https://music.dataobservatory.eu/publication/listen_local_2020/) within the [OpenMuse] project from 1 January 2023 in an open collaboration with cultural policymakers, the local music ecosystem, and open source developers. Our partner, [MXF](https://music.dataobservatory.eu/project/openmuse/) tries to put the findings into [actionable data services](https://music.dataobservatory.eu/slides/listen-local-lithuania-invitation/) in Lithuania and Ukraine with the help of [MusicAire](https://musicaire.eu/). We develop open tools that can be applied in Utrecht, the Hague, Budapest, Tallinn, [Vilnius](https://music.dataobservatory.eu/slides/lll-mic/), [Bratislava](https://music.dataobservatory.eu/slides/openmuse-bratislava/), or anywhere." loading="lazy" data-zoomable />&lt;/div>
&lt;/div>&lt;figcaption>
We will carry out the research outlined in our &lt;a href="https://music.dataobservatory.eu/publication/listen_local_2020/" target="_blank" rel="noopener">feasibility study &lt;/a> within the [OpenMuse] project from 1 January 2023 in an open collaboration with cultural policymakers, the local music ecosystem, and open source developers. Our partner, &lt;a href="https://music.dataobservatory.eu/project/openmuse/" target="_blank" rel="noopener">MXF&lt;/a> tries to put the findings into &lt;a href="https://music.dataobservatory.eu/slides/listen-local-lithuania-invitation/" target="_blank" rel="noopener">actionable data services&lt;/a> in Lithuania and Ukraine with the help of &lt;a href="https://musicaire.eu/" target="_blank" rel="noopener">MusicAire&lt;/a>. We develop open tools that can be applied in Utrecht, the Hague, Budapest, Tallinn, &lt;a href="https://music.dataobservatory.eu/slides/lll-mic/" target="_blank" rel="noopener">Vilnius&lt;/a>, &lt;a href="https://music.dataobservatory.eu/slides/openmuse-bratislava/" target="_blank" rel="noopener">Bratislava&lt;/a>, or anywhere.
&lt;/figcaption>&lt;/figure>&lt;/td>
&lt;p>&lt;em>This is a past event&lt;/em>. Check out our forthcoming &lt;a href="https://danielantal.eu/#talks">events&lt;/a> or write to &lt;a href="https://www.linkedin.com/in/antaldaniel/" target="_blank" rel="noopener">
&lt;i class="fab fa-linkedin pr-1 fa-fw">&lt;/i> Daniel Antal&lt;/a> or to &lt;a href="https://keybase.io/antaldaniel" target="_blank" rel="noopener">
&lt;i class="fab fa-keybase pr-1 fa-fw">&lt;/i> antaldaniel&lt;/a>. Or send an &lt;a href="https://danielantal.eu/contact/">
&lt;i class="fas fa-envelope pr-1 fa-fw">&lt;/i> email&lt;/a>.&lt;/p>
&lt;hr>
&lt;p>Our ongoing project since 2014 is &lt;a href="https://music.dataobservatory.eu/project/listen-local/" target="_blank" rel="noopener">Listen Local&lt;/a>. We would like to find out how can a local music ecosystem, or a small scene avoid being colonized by global players on streaming platforms, radio, or in-store music. How can we make sure that music recommendations connect bands in Utrecht with fans in Utrecht? If a Polish band is visiting Utrecht, music lovers will find their show?&lt;/p>
&lt;div class="alert alert-note">
&lt;div>
We are arriving at opening to &lt;a href="https://www.kleinberlijn.de/" target="_blank" rel="noopener">Klein Berlijn&lt;/a> at 17.00 where you can sit down with a coffee or a beer to chat. No reservation needed. At 19.30 we are getting on our OV fiets and cycle over to the Vechtclub where we will meet people of the local indie scene, Tiny Rooms, and see two independent bands on stage.
&lt;/div>
&lt;/div>
&lt;p>As the sales and promotion of recorded music get fully automated, and even the curation of music for live events gets more and more influenced by machine learning outcomes or social media metrics, how can a DIY label remain relevant? How you can run a small club or a label without having to invest in a multi-million euro data engineering team? Make sure that the algorithm will learn successfully your music offering.&lt;/p>
&lt;td style="text-align: center;">
&lt;figure id="figure-i-feel-at-home-where-people-care-read-gabijas-interviewhttpsdataandlyricscompost2022-10-26_the_kurws-and-check-out-the-band-with-us">
&lt;div class="d-flex justify-content-center">
&lt;div class="w-100" >&lt;img src="https://danielantal.eu/blogposts_2022/Kurws.jpg" alt="‘I feel at home where people care’ Read Gabija&amp;#39;s [interview](https://dataandlyrics.com/post/2022-10-26_the_kurws/) and check out the band with us." loading="lazy" data-zoomable />&lt;/div>
&lt;/div>&lt;figcaption>
‘I feel at home where people care’ Read Gabija&amp;rsquo;s &lt;a href="https://dataandlyrics.com/post/2022-10-26_the_kurws/" target="_blank" rel="noopener">interview&lt;/a> and check out the band with us.
&lt;/figcaption>&lt;/figure>&lt;/td>
&lt;p>Reprex&amp;rsquo;s motto is &lt;code>big data for all&lt;/code>. We want to fight data inequalities, data monopolies, and make big data and AI work for self-released artists or small labels, too.&lt;/p>
&lt;p>&lt;a href="https://danielantal.eu/authors/gabija_liaugminaite/">Gabija&lt;/a> and &lt;a href="https://danielantal.eu/authors/daniel_antal/">Daniel&lt;/a> are visiting Utrecht to meet DIY musicians, labels, researchers, fans and friends to find new partners for our Listen Local projects. On an intellectual level, we are interested in trustworthy AI, data feminism, and providing a proper digital representation to music and live performances for all. On a more emotional level, we want to meet musicians and music lovers from the indie scene.&lt;/p>
&lt;p>We want to help independent artists to find their next audience, and fans to find their next favorite record or a truly fulfilling live music experience. Gabija had a conversation with &lt;a href="%28https://dataandlyrics.com/post/2022-10-26_the_kurws/%29">The Kurws&lt;/a> in our &lt;code>Listen Local Interviews&lt;/code> series. She asked the band about where they are coming from, where they want to go? Where they are local? And what they have to offer to the people who will join us on 31 October 2022 in Utrecht?&lt;/p>
&lt;h2 id="check-out-our-projects">Check out our projects&lt;/h2>
&lt;ul>
&lt;li>&lt;input checked="" disabled="" type="checkbox"> &lt;a href="https://music.dataobservatory.eu/" target="_blank" rel="noopener">Digital Music Observatory&lt;/a> and &lt;a href="https://music.dataobservatory.eu/project/listen-local/" target="_blank" rel="noopener">Listen Local&lt;/a>&lt;/li>
&lt;li>&lt;input checked="" disabled="" type="checkbox"> &lt;a href="https://ccsi.dataobservatory.eu/" target="_blank" rel="noopener">Cultural &amp;amp; Creative Sectors and Industries Observatory&lt;/a> and short &lt;a href="https://ccsi.dataobservatory.eu/documents/Reprex-CCSI-2022.pdf" target="_blank" rel="noopener">call&lt;/a> for potential partners.&lt;/li>
&lt;li>&lt;input checked="" disabled="" type="checkbox"> Make interviews, get interviewed, write blog posts, or syndicate our content to and from &lt;a href="https://dataandlyrics.com/" target="_blank" rel="noopener">Data &amp;amp; Lyrics&lt;/a>.&lt;/li>
&lt;li>&lt;input checked="" disabled="" type="checkbox"> Don&amp;rsquo;t forget to vote for Reprex in the &lt;a href="https://reprex.nl/post/2022-09-13-the-hague-innovators-award/" target="_blank" rel="noopener">Hague Innovators Award&lt;/a> competition 2022. The audience voting starts on 1 November 2022.&lt;/li>
&lt;li>&lt;input checked="" disabled="" type="checkbox">
&lt;i class="fas fa-download pr-1 fa-fw">&lt;/i> Download our &lt;a href="https://danielantal.eu/documents/2022_Reprex_Big_Data_for_All_submission.pdf" target="_blank">submission for the competition.&lt;/a>&lt;/li>
&lt;li>&lt;input checked="" disabled="" type="checkbox"> Get in &lt;a href="https://reprex.nl/#contact" target="_blank" rel="noopener">touch&lt;/a>!&lt;/li>
&lt;/ul></description></item><item><title>Listen Local Slovakia - Hudobné centrum</title><link>https://danielantal.eu/hu/slides/listen-local-slovakia-invitation/</link><pubDate>Fri, 28 Oct 2022 07:00:00 +0000</pubDate><guid>https://danielantal.eu/hu/slides/listen-local-slovakia-invitation/</guid><description>
&lt;section data-noprocess data-shortcode-slide
data-background-image="01-opening_slide.png"
>
&lt;h2 id="p-stylecolorfae000listen-local-slovakiap">&lt;p style="color:#FAE000;">Listen Local Slovakia&lt;/p>&lt;/h2>
&lt;span style="color:#FAE000">
&lt;/br>
An invitation for an open&lt;/br>
collaboration within&lt;/br>
the OpenMuse project.
&lt;br/>&lt;br/>
&lt;a href="https://music.dataobservatory.eu/authors/daniel_antal/", parent="blank">Daniel Antal&lt;/a>&lt;/br>
&lt;a href="https://music.dataobservatory.eu/authors/gabija_liaugminaite/", parent="blank">Gabija Liaugminaitė&lt;/a>
&lt;br/>2022.10.28.&lt;br/>&lt;br/>&lt;br/>&lt;/span>
&lt;hr>
&lt;p>
&lt;section data-noprocess data-shortcode-slide
data-background-image="02-controls-slide.png"
>
&lt;br/>&lt;br/>&lt;br/>&lt;br/>&lt;br/>&lt;br/>&lt;br/>&lt;/br>&lt;/br>&lt;/br>&lt;/br>&lt;/p>
&lt;hr>
&lt;p>
&lt;section data-noprocess data-shortcode-slide
data-background-image="slide_music_industry_reports.webp"
>
 &lt;br/> &lt;br/>&lt;/br>&lt;/br> &lt;br/> &lt;/br>&lt;/p>
&lt;span class="fragment " >
&lt;a href="https://music.dataobservatory.eu/publication/hungary_music_industry_2014/" target="_blank" rel="noopener">Hungarian&lt;/a> |
&lt;/span> &lt;span class="fragment " >
| &lt;a href="https://music.dataobservatory.eu/publication/slovak_music_industry_2019/" target="_blank" rel="noopener">Slovak&lt;/a>
&lt;/span> &lt;span class="fragment " >
| &lt;a href="https://music.dataobservatory.eu/publication/slovak_music_industry_2019/" target="_blank" rel="noopener">Croatian&lt;/a>
&lt;/span> &lt;span class="fragment " >
| &lt;a href="https://music.dataobservatory.eu/publication/ceereport_2020/" target="_blank" rel="noopener">CEE&lt;/a>
&lt;/span> &lt;span class="fragment " >
| &lt;a href="https://music.dataobservatory.eu/publication/made_in_hungary/" target="_blank" rel="noopener">Academic&lt;/a>
&lt;/span>
&lt;hr>
&lt;p>
&lt;section data-noprocess data-shortcode-slide
data-background-image="blue_green_listen_local_feasibility_study.png"
>
 &lt;br/> &lt;br/>&lt;/br>&lt;/br> &lt;br/> &lt;/br> &lt;/br> &lt;/br>
 &lt;/br> &lt;/br>
&lt;span class="fragment " >
&lt;a href="https://music.dataobservatory.eu/publication/listen_local_2020/" target="_blank" rel="noopener">Download in English&lt;/a>
&lt;/span> —&lt;span class="fragment " >
— &lt;a href="https://music.dataobservatory.eu/publication/listen_local_2020/" target="_blank" rel="noopener">Download in Slovak&lt;/a>
&lt;/span>&lt;/p>
&lt;hr>
&lt;p>
&lt;section data-noprocess data-shortcode-slide
data-background-image="blue_green_forgetify_slide.webp"
>
 &lt;br/> &lt;br/>&lt;/br>&lt;/br> &lt;br/> &lt;/br> &lt;/br> &lt;/br>
 &lt;/br>
&lt;span class="fragment " >
&lt;a href="https://music.dataobservatory.eu/publication/listen_local_2020/" target="_blank" rel="noopener">Try Forgotify&lt;/a>—it is sometimes failing to load!
&lt;/span> &lt;/br> &lt;span class="fragment " >
Read our &lt;a href="https://dataandlyrics.com/post/2020-10-24-forgetify_pop_october/" target="_blank" rel="noopener">Data &amp;amp; Lyrics&lt;/a> blogpost
&lt;/span>&lt;/p>
&lt;hr>
&lt;section data-noprocess data-shortcode-slide
data-background-image="katarzia_favorite_key_slide.webp"
>
&lt;ul>
&lt;li>
&lt;p>Teach the algorithms about the musicologoical, lyrical content of the music&lt;br/>&lt;/br>&lt;/br> &lt;br/> &lt;/br> &lt;/br> &lt;/br>
 &lt;/br> &lt;/br>&lt;/p>
&lt;/li>
&lt;li>
&lt;p>Give biographical and geographical context to the music&lt;/p>
&lt;/li>
&lt;/ul>
&lt;hr>
&lt;p>
&lt;section data-noprocess data-shortcode-slide
data-background-image="mic_presentation_3.webp"
>
&lt;br/>&lt;br/>&lt;br/>&lt;br/>&lt;br/>&lt;br/>&lt;br/>&lt;/br>&lt;/br>&lt;/br>&lt;/br>&lt;/p>
&lt;hr>
&lt;p>
&lt;section data-noprocess data-shortcode-slide
data-background-image="mic_presentation_4.webp"
>
&lt;br/>&lt;br/>&lt;br/>&lt;br/>&lt;br/>&lt;br/>&lt;br/>&lt;/br>&lt;/br>&lt;/br>&lt;/br>&lt;/p>
&lt;hr>
&lt;p>
&lt;section data-noprocess data-shortcode-slide
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&lt;h1 id="further-information">Further information&lt;/h1>
&lt;ul>
&lt;li>Read more: &lt;a href="https://music.dataobservatory.eu/" target="_blank" rel="noopener">Digital Music Observatory&lt;/a> | &lt;a href="https://music.dataobservatory.eu/project/listen-local/" target="_blank" rel="noopener">Listen Local&lt;/a>&lt;/li>
&lt;li>Longer feasibility study: &lt;a href="https://music.dataobservatory.eu/publication/listen_local_2020/" target="_blank" rel="noopener">Feasibility Study On Promoting Slovak Music In Slovakia &amp;amp; Abroad&lt;/a>&lt;/li>
&lt;li>Scientific version: &lt;a href="https://music.dataobservatory.eu/publication/european_visibilitiy_2022/" target="_blank" rel="noopener">Ensuring the Visibility and Accessibility of European Creative Content on the World Market&lt;/a>&lt;/li>
&lt;/ul>
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&lt;h1 id="questions">Questions?&lt;/h1>
&lt;p>Get in Touch: &lt;a href="https://www.linkedin.com/in/gabija-liaugminait%C4%97-5a906a152" target="_blank" rel="noopener">Gabija Liaugminaitė&lt;/a> | &lt;a href="https://www.linkedin.com/in/antaldaniel" target="_blank" rel="noopener">Daniel Antal&lt;/a>&lt;/p></description></item><item><title>Listen Local Nederland Meetup in Utrecht</title><link>https://danielantal.eu/hu/post/2022-10-26_utrecht_meetup/</link><pubDate>Wed, 26 Oct 2022 16:17:00 +0200</pubDate><guid>https://danielantal.eu/hu/post/2022-10-26_utrecht_meetup/</guid><description>&lt;td style="text-align: center;">
&lt;figure id="figure-we-will-carry-out-the-research-outlined-in-our-feasibility-study-httpsmusicdataobservatoryeupublicationlisten_local_2020-within-the-openmuse-project-from-1-january-2023-in-an-open-collaboration-with-cultural-policymakers-the-local-music-ecosystem-and-open-source-developers-our-partner-mxfhttpsmusicdataobservatoryeuprojectopenmuse-tries-to-put-the-findings-into-actionable-data-serviceshttpsmusicdataobservatoryeuslideslisten-local-lithuania-invitation-in-lithuania-and-ukraine-with-the-help-of-musicairehttpsmusicaireeu-we-develop-open-tools-that-can-be-applied-in-utrecht-the-hague-budapest-tallinn-vilniushttpsmusicdataobservatoryeuslideslll-mic-bratislavahttpsmusicdataobservatoryeuslidesopenmuse-bratislava-or-anywhere">
&lt;div class="d-flex justify-content-center">
&lt;div class="w-100" >&lt;img src="img/reports/listen_local_2020/listen_local_study_covers.png" alt="We will carry out the research outlined in our [feasibility study ](https://music.dataobservatory.eu/publication/listen_local_2020/) within the [OpenMuse] project from 1 January 2023 in an open collaboration with cultural policymakers, the local music ecosystem, and open source developers. Our partner, [MXF](https://music.dataobservatory.eu/project/openmuse/) tries to put the findings into [actionable data services](https://music.dataobservatory.eu/slides/listen-local-lithuania-invitation/) in Lithuania and Ukraine with the help of [MusicAire](https://musicaire.eu/). We develop open tools that can be applied in Utrecht, the Hague, Budapest, Tallinn, [Vilnius](https://music.dataobservatory.eu/slides/lll-mic/), [Bratislava](https://music.dataobservatory.eu/slides/openmuse-bratislava/), or anywhere." loading="lazy" data-zoomable />&lt;/div>
&lt;/div>&lt;figcaption>
We will carry out the research outlined in our &lt;a href="https://music.dataobservatory.eu/publication/listen_local_2020/" target="_blank" rel="noopener">feasibility study &lt;/a> within the [OpenMuse] project from 1 January 2023 in an open collaboration with cultural policymakers, the local music ecosystem, and open source developers. Our partner, &lt;a href="https://music.dataobservatory.eu/project/openmuse/" target="_blank" rel="noopener">MXF&lt;/a> tries to put the findings into &lt;a href="https://music.dataobservatory.eu/slides/listen-local-lithuania-invitation/" target="_blank" rel="noopener">actionable data services&lt;/a> in Lithuania and Ukraine with the help of &lt;a href="https://musicaire.eu/" target="_blank" rel="noopener">MusicAire&lt;/a>. We develop open tools that can be applied in Utrecht, the Hague, Budapest, Tallinn, &lt;a href="https://music.dataobservatory.eu/slides/lll-mic/" target="_blank" rel="noopener">Vilnius&lt;/a>, &lt;a href="https://music.dataobservatory.eu/slides/openmuse-bratislava/" target="_blank" rel="noopener">Bratislava&lt;/a>, or anywhere.
&lt;/figcaption>&lt;/figure>&lt;/td>
&lt;p>Our ongoing project since 2014 is &lt;a href="https://music.dataobservatory.eu/project/listen-local/" target="_blank" rel="noopener">Listen Local&lt;/a>. We would like to find out how can a local music ecosystem, or a small scene avoid being colonized by global players on streaming platforms, radio, or in-store music. How can we make sure that music recommendations connect bands in Utrecht with fans in Utrecht? If a Polish band is visiting Utrecht, music lovers will find their show?&lt;/p>
&lt;div class="alert alert-note">
&lt;div>
We are arriving at opening to &lt;a href="https://www.kleinberlijn.de/" target="_blank" rel="noopener">Klein Berlijn&lt;/a> at 17.00 where you can sit down with a coffee or a beer to chat. No reservation needed. At 19.30 we are getting on our OV fiets and cycle over to the Vechtclub where we will meet people of the local indie scene, Tiny Rooms, and see two independent bands on stage.
&lt;/div>
&lt;/div>
&lt;p>As the sales and promotion of recorded music get fully automated, and even the curation of music for live events gets more and more influenced by machine learning outcomes or social media metrics, how can a DIY label remain relevant? How you can run a small club or a label without having to invest in a multi-million euro data engineering team? Make sure that the algorithm will learn successfully your music offering.&lt;/p>
&lt;td style="text-align: center;">
&lt;figure id="figure-i-feel-at-home-where-people-care-read-gabijas-interviewhttpsdataandlyricscompost2022-10-26_the_kurws-and-check-out-the-band-with-us">
&lt;div class="d-flex justify-content-center">
&lt;div class="w-100" >&lt;img src="img/blogposts_2022/Kurws.jpg" alt="‘I feel at home where people care’ Read Gabija&amp;#39;s [interview](https://dataandlyrics.com/post/2022-10-26_the_kurws/) and check out the band with us." loading="lazy" data-zoomable />&lt;/div>
&lt;/div>&lt;figcaption>
‘I feel at home where people care’ Read Gabija&amp;rsquo;s &lt;a href="https://dataandlyrics.com/post/2022-10-26_the_kurws/" target="_blank" rel="noopener">interview&lt;/a> and check out the band with us.
&lt;/figcaption>&lt;/figure>&lt;/td>
&lt;p>Reprex&amp;rsquo;s motto is &lt;code>big data for all&lt;/code>. We want to fight data inequalities, data monopolies, and make big data and AI work for self-released artists or small labels, too.&lt;/p>
&lt;p>&lt;a href="https://danielantal.eu/authors/gabija_liaugminaite/">Gabija&lt;/a> and &lt;a href="https://danielantal.eu/authors/daniel_antal/">Daniel&lt;/a> are visiting Utrecht to meet DIY musicians, labels, researchers, fans and friends to find new partners for our Listen Local projects. On an intellectual level, we are interested in trustworthy AI, data feminism, and providing a proper digital representation to music and live performances for all. On a more emotional level, we want to meet musicians and music lovers from the indie scene. (Check out our &lt;a href="https://danielantal.eu/event/2022-10-31_utrecht/">event page&lt;/a>.)&lt;/p>
&lt;p>We want to help independent artists to find their next audience, and fans to find their next favorite record or a truly fulfilling live music experience. Gabija had a conversation with &lt;a href="%28https://dataandlyrics.com/post/2022-10-26_the_kurws/%29">The Kurws&lt;/a> in our &lt;code>Listen Local Interviews&lt;/code> series. She asked the band about where they are coming from, where they want to go? Where they are local? And what they have to offer to the people who will join us on 31 October 2022 in Utrecht?&lt;/p>
&lt;h2 id="check-out-our-projects">Check out our projects&lt;/h2>
&lt;ul>
&lt;li>&lt;input checked="" disabled="" type="checkbox"> &lt;a href="https://music.dataobservatory.eu/" target="_blank" rel="noopener">Digital Music Observatory&lt;/a> and &lt;a href="https://music.dataobservatory.eu/project/listen-local/" target="_blank" rel="noopener">Listen Local&lt;/a>&lt;/li>
&lt;li>&lt;input checked="" disabled="" type="checkbox"> &lt;a href="https://ccsi.dataobservatory.eu/" target="_blank" rel="noopener">Cultural &amp;amp; Creative Sectors and Industries Observatory&lt;/a> and short &lt;a href="https://ccsi.dataobservatory.eu/documents/Reprex-CCSI-2022.pdf" target="_blank" rel="noopener">call&lt;/a> for potential partners.&lt;/li>
&lt;li>&lt;input checked="" disabled="" type="checkbox"> Make interviews, get interviewed, write blog posts, or syndicate our content to and from &lt;a href="https://dataandlyrics.com/" target="_blank" rel="noopener">Data &amp;amp; Lyrics&lt;/a>.&lt;/li>
&lt;li>&lt;input checked="" disabled="" type="checkbox"> Don&amp;rsquo;t forget to vote for Reprex in the &lt;a href="https://reprex.nl/post/2022-09-13-the-hague-innovators-award/" target="_blank" rel="noopener">Hague Innovators Award&lt;/a> competition 2022. The audience voting starts on 1 November 2022.&lt;/li>
&lt;li>&lt;input checked="" disabled="" type="checkbox">
&lt;i class="fas fa-download pr-1 fa-fw">&lt;/i> Download our &lt;a href="https://danielantal.eu/documents/2022_Reprex_Big_Data_for_All_submission.pdf" target="_blank">submission for the competition.&lt;/a>&lt;/li>
&lt;li>&lt;input checked="" disabled="" type="checkbox"> Get in &lt;a href="https://reprex.nl/#contact" target="_blank" rel="noopener">touch&lt;/a>!&lt;/li>
&lt;/ul></description></item><item><title>Listen Local Lithuania - Music Information Center</title><link>https://danielantal.eu/hu/slides/lll-mic/</link><pubDate>Wed, 07 Sep 2022 00:00:00 +0000</pubDate><guid>https://danielantal.eu/hu/slides/lll-mic/</guid><description>&lt;p>
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&lt;p>Next: &lt;code>&amp;gt;&lt;/code> or &lt;code>Space&lt;/code> | Previous: &lt;code>&amp;lt;&lt;/code>&lt;/br>
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Start: &lt;code>Home&lt;/code> | Finish: &lt;code>End&lt;/code>&lt;/br>
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&lt;h1 id="further-information">Further information&lt;/h1>
&lt;ul>
&lt;li>Read more: &lt;a href="https://music.dataobservatory.eu/" target="_blank" rel="noopener">Digital Music Observatory&lt;/a> | &lt;a href="https://music.dataobservatory.eu/project/listen-local/" target="_blank" rel="noopener">Listen Local&lt;/a>&lt;/li>
&lt;li>Longer feasibility study: &lt;a href="https://music.dataobservatory.eu/publication/listen_local_2020/" target="_blank" rel="noopener">Feasibility Study On Promoting Slovak Music In Slovakia &amp;amp; Abroad&lt;/a>&lt;/li>
&lt;li>Scientific version: &lt;a href="https://music.dataobservatory.eu/publication/european_visibilitiy_2022/" target="_blank" rel="noopener">Ensuring the Visibility and Accessibility of European Creative Content on the World Market&lt;/a>&lt;/li>
&lt;/ul>
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&lt;h1 id="questions">Questions?&lt;/h1>
&lt;p>Get in Touch: &lt;a href="https://www.linkedin.com/in/gabija-liaugminait%C4%97-5a906a152" target="_blank" rel="noopener">Gabija Liaugminaitė&lt;/a> | &lt;a href="https://www.linkedin.com/in/antaldaniel" target="_blank" rel="noopener">Daniel Antal&lt;/a>&lt;/p></description></item></channel></rss>