Daniel Antal

Latest

An Empirical Analysis of Music Streaming Revenues and Their Distribution
Music Streaming: Is It a Level Playing Field?
Részvétel a European Music Market Accelerator 2021 évi Fellowship Programjában
A Reprex csatlakozik a Holland AI Koalícióhoz
Ensuring the Visibility and Accessibility of European Creative Content on the World Market: The Need for Copyright Data Improvement in the Light of New Technologies
retroharmonize R package
Open Access Is Not a Panacea, Even If It’s Radical
eurobarometer R package
regions R package
iotables R package for working with symmetric input-output tables
Közép- és Kelet-Európai Zeneipari Jelentés 2020
Private Copying in Croatia
Streaming Market Growth on European Markets
National Market Shares on Spotify Hitlists
Musicians’ Living Standards And Life Satisfaction In The CEE Region
DSM Directive, Value Gap & Private Copying Levies
CEEMID Music Professionals Survey 2019
My economic impact package, iotables, has a much updated released on CRAN
Eurpoean Comparison: How Many People Ever Pay For Music, Film or Software
Slovak Music Industry Report
CEE Mini Recording Industry Workshop
CEEMPC session: Licensing, How To Tackle The Value Gap And A Discussion On Licensing Initiatives
CEEMP Session: Licensing, How To Tackle The Value Gap And A Discussion on Licensing Initiatives
Changing Musician Career Paths
A magyar könnyűzenei repertoár növekedése: kik alkotják és hogyan találja meg közönségét?
Mapping the Croatian Music Industry
Könnyűzenei pályázatok előkészítése és országos helyzetkép
Value added by music in public performance and home copying: economic theory and empirical applications for tariff setting