<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>maria_bartekova | Daniel Antal</title><link>https://danielantal.eu/author/maria_bartekova/</link><atom:link href="https://danielantal.eu/author/maria_bartekova/index.xml" rel="self" type="application/rss+xml"/><description>maria_bartekova</description><generator>Wowchemy (https://wowchemy.com)</generator><language>en-us</language><lastBuildDate>Mon, 03 Oct 2022 12:42:00 +0200</lastBuildDate><image><url>https://danielantal.eu/media/icon_hub9491570ac57158c0eeecc95c95b13e5_20247_512x512_fill_lanczos_center_3.png</url><title>maria_bartekova</title><link>https://danielantal.eu/author/maria_bartekova/</link></image><item><title>Music and Creative Industry Indicators from Needs Assessment to Automated Production</title><link>https://danielantal.eu/slides/openmuse-bratislava/</link><pubDate>Mon, 03 Oct 2022 12:42:00 +0200</pubDate><guid>https://danielantal.eu/slides/openmuse-bratislava/</guid><description>&lt;h1 id="invitation-for-an-open-collaboration">Invitation for an open collaboration&lt;/h1>
&lt;p>&lt;a href="https://music.dataobservatory.eu/" target="_blank" rel="noopener">Digital Music Observatory&lt;/a> | &lt;a href="https://music.dataobservatory.eu/project/listen-local/" target="_blank" rel="noopener">Listen Local Slovakia&lt;/a>&lt;/p>
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&lt;h2 id="controls">Controls&lt;/h2>
&lt;ul>
&lt;li>Next: &lt;code>Right Arrow&lt;/code> | &lt;code>Space&lt;/code> | Previous: &lt;code>Left Arrow&lt;/code>&lt;/li>
&lt;li>Start: &lt;code>Home&lt;/code>| Finish: &lt;code>End&lt;/code> | Overview: &lt;code>Esc&lt;/code>&lt;/li>
&lt;li>Speaker notes: &lt;code>S&lt;/code> | Fullscreen: &lt;code>F&lt;/code> | Zoom: &lt;code>Alt + Click&lt;/code>&lt;/li>
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&lt;h2 id="openmuse">OpenMuse&lt;/h2>
&lt;p>&lt;/br>&lt;/br>&lt;/br>&lt;/br>&lt;/br>&lt;/br>&lt;/br>&lt;/br>&lt;/br>&lt;/p>
&lt;hr>
&lt;h2 id="presentation-outline">Presentation outline&lt;/h2>
&lt;ul>
&lt;li>Part I: &lt;a href="https://music.dataobservatory.eu/authors/daniel_antal/" target="_blank" rel="noopener">Daniel Antal, CFA&lt;/a> introduces the OpenMuse project [general aims, methodology, work packages], and our offering to Slovak CCSI stakeholders.&lt;/li>
&lt;li>Part II: &lt;a href="https://music.dataobservatory.eu/authors/maria_bartekova/" target="_blank" rel="noopener">Mária Kmety Barteková, PhD&lt;/a> our offering for indicator design and creation, methodology, timeline, quality control.&lt;/li>
&lt;li>Part III: Questions and identification of partners and data sources.&lt;/li>
&lt;/ul>
&lt;hr>
&lt;h1 id="part-i-slovakia-as-the-best-practice">Part I: Slovakia as the best practice&lt;/h1>
&lt;ul>
&lt;li>&lt;a href="https://music.dataobservatory.eu/project/ceemid/" target="_blank" rel="noopener">CEEMID&lt;/a>&lt;/li>
&lt;li>&lt;a href="https://music.dataobservatory.eu/publication/slovak_music_industry_2019/" target="_blank" rel="noopener">Slovak Music Industry Report&lt;/a>&lt;/li>
&lt;li>&lt;a href="https://music.dataobservatory.eu/publication/listen_local_2020/" target="_blank" rel="noopener">Listen Local&lt;/a>&lt;/li>
&lt;/ul>
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&lt;p>
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&lt;br/>&lt;br/>&lt;br/>&lt;br/>&lt;br/>&lt;br/>&lt;br/>&lt;/br>&lt;/br>&lt;/br>&lt;/br>&lt;/p>
&lt;span class="fragment " >
&lt;a href="https://music.dataobservatory.eu/publication/listen_local_2020/" target="_blank" rel="noopener">Download in English&lt;/a> |
&lt;/span> &lt;span class="fragment " >
| &lt;a href="https://music.dataobservatory.eu/publication/listen_local_2020/" target="_blank" rel="noopener">Download in Slovak&lt;/a>
&lt;/span>
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&lt;hr>
&lt;h1 id="part-i-openmuse-offering">Part I: OpenMuse offering&lt;/h1>
&lt;hr>
&lt;h2 id="topics">Topics&lt;/h2>
&lt;ul>
&lt;li>
&lt;p style="font-size:80%">WP1 Slovak creators, including music creators, should earn as much as the European average. Their income should level up to German and Finnish levels.&lt;/p>
&lt;/li>
&lt;li>
&lt;p style="font-size:80%">WP2 Slovak people should find good Slovak music in Lithuania on Spotify, YouTube and the radio. Foreign labels must not increase their market share and colonize the local creative ecosystem.&lt;/p>
&lt;/li>
&lt;li>
&lt;p style="font-size:80%">WP3 Correctly attributing the environmental and social benefits (and costs) of music.&lt;/p>
&lt;/li>
&lt;li>
&lt;p style="font-size:80%">WP4 Making sure that big data and AI works for all. Tap into open data, linked open data, bring the creative sectors to the web 3.0.&lt;/p>
&lt;/li>
&lt;/ul>
&lt;hr>
&lt;h1 id="offering-tools">Offering Tools&lt;/h1>
&lt;ul>
&lt;li>Smart policy documents&lt;/li>
&lt;li>Dashboards&lt;/li>
&lt;li>Open source software&lt;/li>
&lt;/ul>
&lt;hr>
&lt;h1 id="bridging-the-data-gap">Bridging the data gap&lt;/h1>
&lt;hr>
&lt;h2 id="data-gaps-are-illusorty">Data gaps are illusorty&lt;/h2>
&lt;ul>
&lt;li>Open Data Directive&lt;/li>
&lt;li>Survey recycling&lt;/li>
&lt;/ul>
&lt;hr>
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&lt;h2 id="harmonized-data-collecton">Harmonized data collecton&lt;/h2>
&lt;p>&lt;br/>&lt;br/>&lt;br/>&lt;br/>&lt;br/>&lt;br/>&lt;br/>&lt;/br>&lt;/br>&lt;/br>&lt;/br>&lt;/p>
&lt;hr>
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&lt;h2 id="survey-recycling">Survey recycling&lt;/h2>
&lt;p>&lt;br/>&lt;br/>&lt;br/>&lt;br/>&lt;br/>&lt;br/>&lt;br/>&lt;/br>&lt;/br>&lt;/br>&lt;/br>&lt;/p>
&lt;hr>
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&lt;h2 id="sampling-big-data">Sampling big data&lt;/h2>
&lt;p>&lt;br/>&lt;br/>&lt;br/>&lt;br/>&lt;br/>&lt;br/>&lt;br/>&lt;/br>&lt;/br>&lt;/br>&lt;/br>&lt;/p>
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&lt;h2 id="open-data-directive">Open Data Directive&lt;/h2>
&lt;p>&lt;br/>&lt;br/>&lt;br/>&lt;br/>&lt;br/>&lt;br/>&lt;br/>&lt;/br>&lt;/br>&lt;/p>
&lt;span class="fragment " >
Read more: &lt;a href="https://dataandlyrics.com/post/2021-06-18-gold-without-rush/" target="_blank" rel="noopener">Open Data - The Gold Without the Rush&lt;/a>
&lt;/span>
&lt;hr>
&lt;h2 id="offering-methodology">Offering methodology&lt;/h2>
&lt;ul>
&lt;li>Open Policy Analysis, &amp;ldquo;Live Policy Documents&amp;rdquo;&lt;/li>
&lt;li>Slovak music market share&lt;/li>
&lt;li>Indicator design and high-quality, reproducible indicator creation&lt;/li>
&lt;/ul>
&lt;hr>
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&lt;h2 id="valuations">Valuations&lt;/h2>
&lt;p>&lt;br/>&lt;br/>&lt;br/>&lt;br/>&lt;br/>&lt;br/>&lt;br/>&lt;/br>&lt;/br>&lt;/br>&lt;/br>&lt;/p>
&lt;hr>
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&lt;h2 id="ai--data-policies">AI &amp;amp; Data Policies&lt;/h2>
&lt;h2 id="brbrbrbrbrbrbrbrbrbrbr">&lt;br/>&lt;br/>&lt;br/>&lt;br/>&lt;br/>&lt;br/>&lt;br/>&lt;/br>&lt;/br>&lt;/br>&lt;/br>&lt;/h2>
&lt;h2 id="trustworthy-ai-trustworthy-data-in-culture">Trustworthy AI, trustworthy data in culture&lt;/h2>
&lt;ul>
&lt;li>Is the algorithm cheating? ➡️ trustworthy AI policy, enabling courts, competition and consumer protection agencies to protect the Slovak CCIs&lt;/li>
&lt;li>Is the algorithm learning from bad data? ➡️ national heritage policy, consolidate Slovak CCI data as linked, open data, and sync it daily with the world.&lt;/li>
&lt;li>Can we ask for 20% Slovak music in radio, television, YouTube or Spotify?&lt;/li>
&lt;/ul>
&lt;hr>
&lt;div class="highlight">&lt;pre tabindex="0" class="chroma">&lt;code class="language-fallback" data-lang="fallback">&lt;span class="line">&lt;span class="cl">Topics:
&lt;/span>&lt;/span>&lt;span class="line">&lt;span class="cl"> - European AI regulation and ethics, music AI,
&lt;/span>&lt;/span>&lt;span class="line">&lt;span class="cl"> - non-discriminiation and fair remuneration for
&lt;/span>&lt;/span>&lt;span class="line">&lt;span class="cl"> Slovakia&amp;#39;s creators.
&lt;/span>&lt;/span>&lt;span class="line">&lt;span class="cl"> - Smart and future proof local content and media
&lt;/span>&lt;/span>&lt;span class="line">&lt;span class="cl"> regulation, music export, cultural heritage.
&lt;/span>&lt;/span>&lt;span class="line">&lt;span class="cl">
&lt;/span>&lt;/span>&lt;span class="line">&lt;span class="cl">Features:
&lt;/span>&lt;/span>&lt;span class="line">&lt;span class="cl"> - The policy brief itself expressed as a resource,
&lt;/span>&lt;/span>&lt;span class="line">&lt;span class="cl"> not a static file that is once finished and downloaded.
&lt;/span>&lt;/span>&lt;span class="line">&lt;span class="cl"> - It is an educational document in itself, it is
&lt;/span>&lt;/span>&lt;span class="line">&lt;span class="cl"> self-refreshing with data, legal and policy texts
&lt;/span>&lt;/span>&lt;span class="line">&lt;span class="cl"> - We educate policy-makers and music professionals
&lt;/span>&lt;/span>&lt;span class="line">&lt;span class="cl"> to talk, write and think about AI in a smart way.
&lt;/span>&lt;/span>&lt;/code>&lt;/pre>&lt;/div>&lt;hr>
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&lt;h2 id="part-ii-indicators">Part II: Indicators&lt;/h2>
&lt;hr>
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&lt;h2 id="open-policy-analysis">Open Policy Analysis&lt;/h2>
&lt;p>&lt;br/>&lt;br/>&lt;br/>&lt;br/>&lt;br/>&lt;br/>&lt;br/>&lt;/br>&lt;/br>&lt;/br>&lt;/br>&lt;/p>
&lt;hr>
&lt;h2 id="role-of-cultural-policy-makers">Role of Cultural Policy Makers&lt;/h2>
&lt;ul>
&lt;li>Define the needs within the cultural policymaking in Slovakia&lt;/li>
&lt;li>Share already collected data about the cultural entities (from music industry)&lt;/li>
&lt;li>Assess the proposed music industry indicators&lt;/li>
&lt;/ul>
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&lt;hr>
&lt;h2 id="indicators-example">Indicators: example&lt;/h2>
&lt;ul>
&lt;li>Type and extent of side jobs among Slovak musicians&lt;/li>
&lt;li>Average number of copyright protected works and neighboring rights protected recordings per musician&lt;/li>
&lt;/ul>
&lt;hr>
&lt;h2 id="indicators-side-job">Indicators: side job&lt;/h2>
&lt;ul>
&lt;li>Define a side job. Develop a strategy to ask or measure it correctly.&lt;/li>
&lt;li>Characterize the side job (which other [creative] industry has the performance)&lt;/li>
&lt;li>Divide it with the correct number of musicians.&lt;/li>
&lt;/ul>
&lt;hr>
&lt;h2 id="indicators-copyrights">Indicators: copyrights&lt;/h2>
&lt;ul>
&lt;li>Define a musician. What type of intellectual property a musician has?&lt;/li>
&lt;li>Develop a strategy to ask/measure the number of works/recordings per musician.&lt;/li>
&lt;li>Develop a strategy to count/measure number of musicians.&lt;/li>
&lt;li>Divide works/recordings with the number of musicians&lt;/li>
&lt;/ul>
&lt;hr>
&lt;h2 id="who-shall-we-ask">Who shall we ask?&lt;/h2>
&lt;ul>
&lt;li>We would like to involve all relevant policy stakeholders: ministry, parliament, NGOs, government organizations&lt;/li>
&lt;li>The Open Policy Analysis allows the involvement of citizens, individual experts, small organizations.&lt;/li>
&lt;/ul>
&lt;hr>
&lt;h2 id="invitation-for-an-open-collaboration-1">Invitation for an open collaboration&lt;/h2>
&lt;p>Click for Contacts: &lt;a href="https://music.dataobservatory.eu/" target="_blank" rel="noopener">Digital Music Observatory&lt;/a> | &lt;a href="https://music.dataobservatory.eu/talk/listen-local/" target="_blank" rel="noopener">Listen Local Lithuania&lt;/a> | &lt;a href="https://reprex.nl/#contact" target="_blank" rel="noopener">LaLa for Artists&lt;/a> | &lt;a href="https://reprex.nl/#contact" target="_blank" rel="noopener">Lala for Fans&lt;/a> | &lt;a href="https://reprex.nl/#contact" target="_blank" rel="noopener">Open Policy Analysis&lt;/a>&lt;/p>
&lt;hr>
&lt;h2 id="potential-extra-slides">Potential Extra Slides&lt;/h2>
&lt;hr>
&lt;h2 id="trustworthy-ai">Trustworthy AI&lt;/h2>
&lt;p>&lt;a href="https://music.dataobservatory.eu/project/trustworthy-ai#human-agency" target="_blank" rel="noopener">Human agency and oversight&lt;/a> | &lt;a href="project/trustworthy-ai#technical-robustness">Technical Robustness and Safety&lt;/a> | &lt;a href="https://music.dataobservatory.eu/project/trustworthy-ai/#human-agency" target="_blank" rel="noopener">Human agency and oversight&lt;/a> | &lt;a href="https://music.dataobservatory.eu/project/trustworthy-ai#data-governance" target="_blank" rel="noopener">Privacy and Data Governance&lt;/a> | &lt;a href="https://music.dataobservatory.eu/project/trustworthy-ai#transparency" target="_blank" rel="noopener">Transparency&lt;/a> | &lt;a href="https://music.dataobservatory.eu/project/trustworthy-ai#fairness" target="_blank" rel="noopener">Diversity, Non-Discrimination and Fairness&lt;/a> | &lt;a href="https://music.dataobservatory.eu/project/trustworthy-ai#well-being" target="_blank" rel="noopener">Societal and Environmental Well-Being &lt;/a>&lt;/p></description></item></channel></rss>